50 Walking Basslines

ÉDITION MUSICALE: Play Music Publishing
TYPE DE PRODUIT: Recueil avec support(s) en ligne
INSTRUMENT GROUP: Contrebasse
The 50 Walking Basslines comprised in this coursebook are aimed at bassists, at double bassists and first and foremost at the jazz enthusiasts among them. They will most certainly experience a whole heap ofpleasure with the playing materials provided here. All 50 Walking Basslines are based on
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Spécifications
Auteur Brad Tucker
Édition musicale Play Music Publishing
Instrumentation Double Bass, Bass Guitar
Text language Anglais
Type de produit Recueil avec support(s) en ligne
Instrument Group Contrebasse
Année d'édition 2015
Genre Méthode
EAN 3555111402672
Nombre de pages 96
No. MUSME0267
Release Date 16/05/2015
Description

The 50 Walking Basslines comprised in this coursebook are aimed at bassists, at double bassists and first and foremost at the jazz enthusiasts among them. They will most certainly experience a whole heap ofpleasure with the playing materials provided here.

All 50 Walking Basslines are based on chord progressions that recall some of the greatest jazz standards of all time: Autumn Leaves, Someday My PrinceWill Come, Giant Steps, Blues For Alice, Anthropology, Blue Bossa, Stella By Starlight, So What, Take Five, Black Orpheus, My Funny Valentine, All The Things You Are, In A Sentimental Mood, Satin Doll and Take TheATrain to name but a few.

To teach you all the particularities of the 50 Walking Basslines presented here and eventually enable you to piece some together yourself, an entire chapter of this coursebookhas been dedicated to the fundamental principles, procedures and techniques behind this type of bassline. You therewith have a realistic chance of becoming an expert on the subject.

For its part, the MP3 CD is composed of asmany backing tracks as there are walking basslines in the coursebook; these can be played along to at two different tempi: the intended tempo (actual playing speed) and the rehearsal tempo (slower speed). On the backing track atactual playing speed the Bass is only present during the first round, then it disappears, yielding the floor to you. The backing tracks provided here are of proper length (about 5 minutes each, which sums up to almost 6h ofmusical practice). This means that you have enough time at your disposal to practice under best conditions, enough time to thoroughly internalize these 50 walking basslines and hence compose your own ones.



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