380 Basses et Chants Donnés Vol. 5B
Accords de la 9ème Dominate - Réalisations
COMPOSITEUR:
Henri Challan
ÉDITION MUSICALE:
Alphonse Leduc
TYPE DE PRODUIT:
Recueil
INSTRUMENT GROUP:
Chant
As one of the fundamentals in the study of harmony, particularly for Baroque music, Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan, a French composer and music educator wasappointed Professor of Harmony at the Paris Conservatoire in 1936. He
Spécifications
Subtitle | Accords de la 9ème Dominate - Réalisations |
Compositeur | Henri Challan |
Édition musicale | Alphonse Leduc |
Instrumentation | Chant |
Type de produit | Recueil |
Instrument Group | Chant |
Style Period | Post 1901 |
Genre | Études et exercices |
ISMN | 9790046221804 |
Style Period | Post 1901 |
Voicing | Bass Voice |
Nombre de pages | 20 |
No. | AL22180 |
Description
As one of the fundamentals in the study of harmony, particularly for Baroque music, Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan, a French composer and music educator wasappointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960, after a considerable amount of time working in the field. With Challan''s experiences in mind, 380 Figured BassExercises is very well-informed. Part B of the fifth volume provides 29 exercises in which the student can study differing clefs, chromaticism and accidentals in the context of figured bass. Challan''s 380 Figured Bass Exercisesis essential to all harmony studies, given that the realisation of figured bass remains an important part of music education.